Medic was a German male model at one point.
This is the best headcanon I have ever heard. Thank you.
Imagine him wearing those ridiculous runway clothes that male models wear just, oh my God, yes. Yes please.
Well, he has the walk
YOU ARE AMAZING, THANK YOU FOR CONTRIBUTING THIS. WERK IT MEDIC!
Okay, so: Recently I was stuck in a car with a couple of family members for a few hours, and shared with them a thought I had from a while back.
It was pretty much ‘Wow I’m kinda sad that as far as I am aware Rod Sterling (The Twilight Zone narrator and sometimes writer) never interacted with Vincent Price cause an episode or even a discussion of horror by those two would’ve been awesome.’
And in telling it to those family members, my brain added on to it.
Cecil Baldwin from Welcome to Night Vale getting thrown into the mix, if reality and time could be warped in such a fashion because those three narrating something would be amazing.
So imagine this:
A movie in three acts, each of them narrating a single portion. And let’s say that Vincent Price was narrating, so Rod Sterling was playing the main character. Then the second half came along, and Vincent Price was now playing the main character with no questions asked and Cecil Baldwin narrating.
None of the other characters point out the fact that the main character’s appearance has changed, even as Cecil Baldwin running around gets narrated by Rod Sterling.
And the entire thing was written by Rod Sterling and the Welcome To Night Vale team, with some input from Vincent Price from his past experience with horror movie scripts.
Pretty much I would want this to be a thing that existed, but because the laws of time and reality can’t be broken with two of the listed people being deceased… well.
One’s allowed to daydream.
A man admittedly followed and killed an innocent teenager, and was declared not guilty.
States are passing laws allowing guns in public schools.
Women are losing their reproductive rights at an increasingly alarming rate.
Riots are tearing through the streets in cities all over the world.
College tuition keeps rising, sending a generation into debt as soon as they are entering the adult world.
Education funds keep getting slashed.
Privacy no longer exists.
Corporations now have the same rights as people, and the funds to actually protect them.
Through loopholes, many U.S. Corporations pay a lower tax rate than middle class families.
States are now passing more voter ID laws and similar laws that only affect the lower class.
The corporate giant, Monsanto, has pretty much purchased and bribed its way into every grocery product on the shelf, resulting in food becoming less and less like, well, food. There are reasons Cancer rates are getting worse.
Likewise, Monsanto is making sure small American farmers are ran out of business. Also, their constant pesticide use is killing bees and other insects, causing dire environmental issues.
The mass media is more concerned with pop culture and trends, than the real issues the world is facing.
Human population is ever growing, and at rapid rates. It can’t just continue this way.
We have put so much trash in giant landfills all over our world and in our oceans. We are killing our planet.
By planet you mean we are killing ourselves.
Can we also pay attention to the fact that there aren’t just political problems going on???
I mean, seriously, I have been trying to tell everyone, BUT NO ONE IS EVEN REBLOGGING THE ARTICLES THAT COULD SAVE A LIFE
While all this is happening, the Pacific Ocean is being contaminated by not just trash, but Radiation.
There was a leak in the Fukushima power plant that has now poisoned the entire Pacific Ocean.
Some think that oh, maybe it will go away with time. Sure, it will, in about 16 million years. Yes, you read that right. Due to the long half life of iodine-129, the whole ecosystem of the Pacific Coast will be contaminated pretty much forever.
Here is the radiation levels in the ocean.
Everyone needs to wake up.
The government needs to be set straight. They were hiding this information so that people don’t panic. Well, now everyone’s gonna die and not know why.
Shit is going down, and we need to make sure EVERYONE knows EVERYTHING that is happening in this place we call home.
Holy fucking shit
fukushima is one of the scariest things going on and it’s literally getting less attention than that real houswives couple who are going to prison.
whoa whoa whoa not cool guys read pls
Tomorrow, I get the opportunity to switch from post earrings in my cartilage to barbells or hoops.
Yes I should probably work out which I want but people-
I get to end up with better quality stuff than the kind I found in the mall I got my cartilage pierced at.
I might be able to sleep semi-normally with hoops or barbells in instead.
Yeah I posted that on May 30th.
I only managed to get hoops last Saturday (July 26th), and by then I was used to sleeping oddly.
Plus the dude at the shop I wanted to get stuff from was a complete tool who pretty much almost scared me into taking out my cartilage ones and letting them heal over. (This was also around the 30th.)
Thankfully, the family member who was accompanying me prevented me from doing that, and for the past coupla days I have been rocking some horseshoe hoops from a different shop that was actually pretty cool too.
Writing Advice: by Chuck Palahniuk
In six seconds, you’ll hate me.
But in six months, you’ll be a better writer.
From this point forward—at least for the next half year—you may not use “thought” verbs. These include: Thinks, Knows, Understands, Realizes, Believes, Wants, Remembers, Imagines, Desires, and a hundred others you love to use.
The list should also include: Loves and Hates.
And it should include: Is and Has, but we’ll get to those later.
Until some time around Christmas, you can’t write: Kenny wondered if Monica didn’t like him going out at night…”
Instead, you’ll have to Un-pack that to something like: “The
mornings after Kenny had stayed out, beyond the last bus, until he’d had to bum a ride or pay for a cab and got home to find Monica faking sleep, faking because she never slept that quiet, those mornings, she’d only put her own cup of coffee in the microwave. Never his.”
Instead of characters knowing anything, you must now present the details that allow the reader to know them. Instead of a character wanting something, you must now describe the thing so that the reader wants it.
Instead of saying: “Adam knew Gwen liked him.” You’ll have to say: “Between classes, Gwen had always leaned on his locker when he’d go to open it. She’s roll her eyes and shove off with one foot, leaving a black-heel mark on the painted metal, but she also left the smell of her perfume. The combination lock would still be warm from her butt. And the next break, Gwen would be leaned there, again.”
In short, no more short-cuts. Only specific sensory detail: action, smell, taste, sound, and feeling.
Typically, writers use these “thought” verbs at the beginning of a paragraph (In this form, you can call them “Thesis Statements” and I’ll rail against those, later). In a way, they state the intention of the paragraph. And what follows, illustrates them.
“Brenda knew she’d never make the deadline. was backed up from the bridge, past the first eight or nine exits. Her cell phone battery was dead. At home, the dogs would need to go out, or there would be a mess to clean up. Plus, she’d promised to water the plants for her neighbor…”
Do you see how the opening “thesis statement” steals the thunder of what follows? Don’t do it.
If nothing else, cut the opening sentence and place it after all the others. Better yet, transplant it and change it to: Brenda would never make the deadline.
Thinking is abstract. Knowing and believing are intangible. Your story will always be stronger if you just show the physical actions and details of your characters and allow your reader to do the thinking and knowing. And loving and hating.
Don’t tell your reader: “Lisa hated Tom.”
Instead, make your case like a lawyer in court, detail by detail.
Present each piece of evidence. For example: “During roll call, in the breath after the teacher said Tom’s name, in that moment before he could answer, right then, Lisa would whisper-shout ‘Butt Wipe,’ just as Tom was saying, ‘Here’.”
One of the most-common mistakes that beginning writers make is leaving their characters alone. Writing, you may be alone. Reading, your audience may be alone. But your character should spend very, very little time alone. Because a solitary character starts thinking or worrying or wondering.
For example: Waiting for the bus, Mark started to worry about how long the trip would take…”
A better break-down might be: “The schedule said the bus would come by at noon, but Mark’s watch said it was already 11:57. You could see all the way down the road, as far as the Mall, and not see a bus. No doubt, the driver was parked at the turn-around, the far end of the line, taking a nap. The driver was kicked back, asleep, and Mark was going to be late. Or worse, the driver was drinking, and he’d pull up drunk and charge Mark seventy-five cents for death in a fiery traffic accident…”
A character alone must lapse into fantasy or memory, but even then you can’t use “thought” verbs or any of their abstract relatives.
Oh, and you can just forget about using the verbs forget and remember.
No more transitions such as: “Wanda remembered how Nelson used to brush her hair.”
Instead: “Back in their sophomore year, Nelson used to brush her hair with smooth, long strokes of his hand.”
Again, Un-pack. Don’t take short-cuts.
Better yet, get your character with another character, fast.
Get them together and get the action started. Let their actions and words show their thoughts. You—stay out of their heads.
And while you’re avoiding “thought” verbs, be very wary about using the bland verbs “is” and “have.”
“Ann’s eyes are blue.”
“Ann has blue eyes.”
“Ann coughed and waved one hand past her face, clearing the cigarette smoke from her eyes, blue eyes, before she smiled…”
Instead of bland “is” and “has” statements, try burying your details of what a character has or is, in actions or gestures. At its most basic, this is showing your story instead of telling it.
And forever after, once you’ve learned to Un-pack your characters, you’ll hate the lazy writer who settles for: “Jim sat beside the telephone, wondering why Amanda didn’t call.”
Please. For now, hate me all you want, but don’t use thought verbs. After Christmas, go crazy, but I’d bet money you won’t.
For this month’s homework, pick through your writing and circle every “thought” verb. Then, find some way to eliminate it. Kill it by Un-packing it.
Then, pick through some published fiction and do the same thing. Be ruthless.
“Marty imagined fish, jumping in the moonlight…”
“Nancy recalled the way the wine tasted…”
“Larry knew he was a dead man…”
Find them. After that, find a way to re-write them. Make them stronger.
A: What do you write? Fanfiction, original fiction, nonfiction, articles, songs, poems, essays, plays, what?
B: How often do you write?
C: Who is your favorite character of your own? Who is your favorite character created by somebody else? Why?
D: If you had the choice of…